Showing 11 - 20 of 154 annotations tagged with the keyword "Homicide"
Police inspector Irene Huss, married to an inspired chef and mother of twin teenaged girls, is summoned to investigate the murder by strangulation of a nurse who had been working the night shift in a private hospital. A power failure that same night provokes the death of a patient when his respirator failed. The nurse’s body is found tossed over a generator in the basement electrical room—one of the first places inspected. The lines had been deliberately cut.
Another nurse is missing. The only other nurse on duty that night is convinced that she has seen the hospital’s old ghost, Nurse Tekla, who hanged herself in the hospital attic because of a broken heart a half century earlier.
The hospital director, handsome but administratively challenged Dr. Löwander, is devastated. He worries about the possible failure of the hospital, which he inherited from his father and he seems genuinely concerned for his staff. His ex-wife remains bitter about her divorce years ago, but his present wife – an obsessive body builder and trainer—seems unconcerned by the events. She has long been planning to turn the hospital into a spa and gym. The dead patient’s beautiful, youngish widow has just come into a lot of money with her husband’s death by power failure.
The investigation leads to the history of the hospital, old affairs, and the origins of the ghost-nurse story, which attaches itself to popular opinions about the case to the immense irritation of the police chief.
Meanwhile, one of Huss's daughters has become a militant vegan, resulting in more stressors in her double life as a wife and a cop.
The great French actress Sarah Bernhardt (1844-1923) conducted an affair with her doctor, gynecologist Samuel Pozzi (1846-1918) in the decade before he married. They remained friends, and she always called him her Docteur Dieu (doctor god).
The handsome physician was a leading light in French gynecology and in the Paris arts community. Clad in his red dressing gown, Pozzi was the subject of John Singer Sargent's wonderful portrait (1881), which spawned erotic legends about him.
At first happy, Pozzi’s marriage degenerated into coldness, but his wife would not grant him a divorce. He then established a long-standing, public relationship with Emma Fischhof. During the Dreyfus affair, which unmasked the horror of entrenched anti-Semitism in France, physician and actress both fought against the ill treatment of the Jewish officer.
In 1915 and at Sarah’s insistence, Pozzi amputated her painful leg. Three years later, he was shot and killed by a disgruntled and delusional patient who blamed him for a minor illness.
In 1974, a student befriends Pärssinen, the gardener of his apartment complex in the town of Turku, Finland. Pärssinen invites him to drink and watch pornographic movies from his extensive collection. One night when both are full of alcohol, the gardener stops a girl on a bicycle, rapes and strangles her, and tosses the body in a lake. The drunken student is a baffled witness. The body resurfaces several months later, but the case is never solved. Her name was Pia.
More than thirty years later, in 2007, another girl, Sinikka, goes missing. Her bicycle is found with traces of her blood right beside the memorial shrine to Pia at the place of her murder. The retired cop, Ketola, is convinced that solving this new crime will also solve the old one.
At the same time, far away in Helsinki, Timo Korvensuo and his wife are entertaining friends. He is a successful real estate agent with a lovely, kind wife and two children, a boy and a girl. News of the missing girl greatly disturbs Timo and he leaves home headed to Turku telling his family it is for business. The reader realizes that Timo must be the unnamed student who witnessed the first murder.
In parallel with the police investigation, Timo’s abject wanderings in Turku seem to be centered on (re-)finding and perhaps outing the original killer. Police discover that Sinikka’s parents are consumed with guilt for the difficulties they have had with their adolescent daughter; they fear she has been snatched, perhaps killed, before they could patch things up. The father is a suspect.
Timo finds Pärssinen again and learns that he is unaware of the copycat crime. The police also also visit Pärssinen as a person of interest, but nothing comes of it. Timo goes to Pia’s mother, still living in the same home, to express his sorrow for her loss.
SPOILER ALERT! Primed by Ketola, Pia’s mother contacts the police. They raid Timo’s home in Helsinki and find child pornography on his computer. They know he cannot have committed the recent crime, but they are convinced that he killed Pia. As the noose tightens, Sinikka reappears alive and well from a hiding place in the forest. She staged the second crime as bait to lure the true killer in a plan she had cooked up for Ketola. Timo commits suicide and the police close both cases, but they are wrong.
The wealthy financier, John William Stone, is found dead beneath the window of his home, having fallen, jumped, or been pushed. The will charges his widow, Elizabeth Lady Ravenscliff, with finding Stone’s lost child. She had known nothing about this episode in his life, but she is determined to honour his wish.
The story centers on a financial mystery told in three parts that move further back in time: London 1909, Paris 1890, and Venice 1867. Each story gives a different version of Elizabeth – none refutes any of the others.
In the first part, Elizabeth is cool, superior and in charge, but her grief is genuine. She hires Matthew Braddock to look for the missing child, suggesting that he pose as a hired biographer. The writer is smitten with Elizabeth and concludes that there was no lost child.
The second part is narrated by a spy, Henry Cort. In this version, Elizabeth began as a waif who became a high-class prostitute, involved in affairs of state. Addicted to drugs, she was dangerous and selfish, but Cort never realizes that she is his sister.
The last (but earliest) part is told by Stone himself about an affair he once had in Venice and its sorry end. The last few pages draw the disparate threads together and account cleverly for all the mysteries.
In 1543—the time of Henry VIII-Matthew Shardlake a hunchback lawyer, and his Jewish assistant, Barak, strive to solve a string of murders that, they quickly realize, are based on the seven vials in the Book of Revelation (chapter 16). They can almost predict when the next death will happen.
Barak is having trouble with his wife owing to a recent stillbirth that has deeply affected them both and driven them apart. Shardlake’s friend, Guy Malton, a Spanish-moorish physician acts as a medical consultant to their investigation. They encounter a boy and a woman both confined in Bethelham Hospital, the asylum known as Bedlam. A diagnostic dilemma arises over a problem of religious melancholy versus demonic possession.
Zol Szabo, is public health doctor for the Hamilton Ontario region. He is also a single parent to nine year-old, Max, because his wife could not deal with Max’s mild physical disability. He is dating Colleen an attractive woman detective whom he met in the previous novel. The story opens with Zol’s angst over his son’s expensive misuse of a cell phone that he’d been given for safety reasons.
Soon he and his team are investigating cases of diarrhea in a seniors’ residence. The diagnosis is difficult—but the doctors are confident they know what it is; however, the recommended treatments prove ineffective. Gradually they begin to suspect that the drugs are not working because they might be fake. Even worse, they notice that the people infected are all taking the same arthritis medicine—could that drug be the source of the infection?
In the background an unbending hospital administration and a hostile boss make the situation even worse.
A team of elderly friends who reside in the senior’s home collaborate to help solve the mystery. And of course the son’s cell phone is crucial to the dramatic conclusion.
In this tale, told by an aging Silvio, Jean the miller dies mysteriously in the river at his mill leaving his young wife, Colette, and a little boy. Was it suicide or murder – and why? Colette is the daughter of Helene Coudray, a woman Silvio once loved and still admires deeply, although she married François. They remain good friends.
Silvio is also friendly with Brigitte. She is known to all as the adopted daughter of Helene’s late unmarried sister, Cecile. Brigitte married a much older landowner who dies, leaving her well off, and free to marry handsome young Marc Ohnet. But news of the engagement devastates Colette. Suddenly it is clear that her child was Marc’s– and that it was Marc who killed Jean, possibly by accident. Colette’s angry father wants to press charges against Marc for killing his son-in-law. But Brigitte reveals that she is the biological daughter of Helene and Silvio; Marc is to become another son-in-law.
The apparently worthy Helene has deceived both her husband and her old lover, Silvio, by concealing Brigitte’s existence and identity. She also abused the goodwill of her sister who cared for her child.
Zol Szabo, is public health doctor for the Hamilton Ontario region. He is also a single parent to a seven-year-old, Max, because his wife could not deal with Max’s physical disability. But Sol thinks there is hope for Max in an injection of a miraculous new substance called “Endotox” that may loosen the contractures of his arm. Soon he his investigating a cluster of variant CJD (mad cow) cases that may be related to Endotox. But they also seem to be connected to the grocery store where Sol does his shopping. The products that all victims had in common were an imported candy and a sausage, both Max’s favorites.
Conspiracy theories about corrupt pharmaceutical companies and the antics of a pair of unethical mink farmers lead the investigation in many different directions, all personally threatening to Sol because of the health of his son or the ire of his boss. Pressure from his superiors to avoid publicity cramps Sol’s freedom. He seeks help from an attractive woman detective who, of course, sticks with him to the terrifying (and satisfying) conclusion.
Attorney Rebecka Martinsson returns to her northern Swedish home to recover from a traumatic experience. She becomes involved in the investigation of the murder of Mildred, a woman priest who was found hanging from a beam in her own church. The investigating police office, Anna Maria Mella, meets opposition, especially from the local organization of hunters, who clearly resented Mildred for having offered shelter on the church lands to a stray wolf.
It is clear that Nalle, a large, mentally challenged boy, was close to the dead priest, and that his single parent father Lars-Gunnar did not appreciate their friendship. Nalle begins to trust Rebecka, as he trusted Mildred, and he appears to know something. But Anna Maria learns that Mildred had another enemy in her jealous, male colleague; moreover, some of the women in town resented her freedoms.
The many historical and personal ways in which the members of this isolated community are entwined becomes part of the investigation, but before it is complete Mella is confronted with two more murders and two suicides.