Showing 11 - 16 of 16 annotations contributed by Glass, Guy
Summary:This is a collection of essays by (mostly British) artists, performers, and academics on the intersection between medicine and theater. It appears in a series entitled “Performance and Science: Interdisciplinary Dialogues” put out by Bloomsbury Methuen Drama. The introduction makes it clear there are many points of convergence beyond the scope of this volume, such as how medicine is depicted in plays and therapeutic uses of theater (e.g. drama therapy). The focus here, then, is on “the ways in which the body is understood, displayed and represented in performance” (p. 11). And the “medical body” of the title refers to one that is ’acted upon’ by illness or disability and/or by the diagnostic and therapeutic activities of the medical profession” (Ibid).
Summary:Those who are familiar with the Mütter Museum of the College of Physicians of Philadelphia, best known for its anatomical oddities, may have wondered about the institution’s namesake. The author of this book, a poet and native of Philadelphia, endeavors to place Thomas Dent Mütter within the context of 19th-century American medicine.
Summary:4:48 Psychosis was the last work of controversial British playwright Sarah Kane. In 1999, soon after her twenty-eighth birthday, having completed the play, she took her own life.
Summary:Next to Normal is a musical, composed in a rock idiom.
Summary:This is a book about the author's passionate love affair with ancient Greek plays, how he goes beyond merely making them relevant to our time by finding therapeutic benefit in them, and how he finds ways to adapt them for a variety of populations and uses.
Summary:New York, 1981. As the play opens, Ned Weeks sits outside a doctor’s office with a friend who has developed worrisome symptoms of a mysterious “plague” that strikes homosexuals. The doctor, Emma Brookner, complains that she cannot make headway in getting the gay community to take the threat seriously. This encounter inspires Ned, a writer, to dedicate himself to becoming the spokesman for the growing ranks of disenfranchised patients. He attempts to convert others to his cause, including his heterosexual brother, a closeted bank executive, and a reporter for the New York Times (whom he begins to date). When it becomes clear that the City is not interested in assisting, he co-founds a grassroots activist organization. As the epidemic veers out of control, the man he loves falls ill as well. Over time, Ned’s abrasive, confrontational approach, as well as his focus on abstinence, makes him many enemies within the gay community. Ultimately, he is forced out of his own organization. At the same time, there are hints that, as a result of his work, the disease is beginning to be taken seriously. At the end of the play, Ned’s lover Felix becomes the latest gay man to succumb to the epidemic.